At concerts, moved by a beautiful song, we are drawn to the songmaker's soul, the wellspring of the song's beauty. If the glow she gives off in melody and words is so wonderful, how luminous it must be in the inner chamber of her being! Most likely, though, her soul's hearth is cold, for she has sung this song nightly to audiences for six months straight. Habit has deadened her to every feeling except loathing for another repetition. She was moved once, when she wrote the song, when she was the surprised and admiring audience of her own inspiration. But now she is only another instrument she herself plays, a flute deaf to its own sound.
The Performing Artist as Uninspired Inspirer
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Mr. Stanley’s Aphorisms and Paradoxes are outstanding examples of the long-form aphorism... inevitably studded with discrete individual aphorisms that could easily stand on their own.
-James Geary, author of The World in a Phrase: A Brief History of the Aphorism